NASCAR returns to NBC: 10-year deal begins in 2015; provides programming for NBC Sports Network

It’s official. This just came in from NBC:

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DAYTONA BEACH, Fla. and NEW YORK (July 23, 2013) – NASCAR and NBC Sports Group announced today they have reached a comprehensive agreement that grants NBCUniversal exclusive rights to the final 20 NASCAR Sprint Cup Series races, final 19 NASCAR Nationwide Series events, select NASCAR Regional & Touring Series events and other live content beginning in 2015. Financial terms of the agreement, which runs through the 2024 season, were not disclosed.

With this partnership, NBC’s 20 Sprint Cup race schedule includes becoming the exclusive home to the Chase for the NASCAR Sprint Cup, NASCAR’s final 10 races of the season, including its season-ending championship event which will return to network television in 2015 for the first time since 2009. Of NBC Sports Group’s 20 NASCAR Sprint Cup Series events, seven will be carried on NBC annually, with 13 airing on NBC Sports Network (NBCSN). Four of NBC Sports Group’s 19 NASCAR Nationwide Series races will air on NBC, with 15 airing on NBCSN.

“NBC is known for being an exceptional partner and delivering outstanding production quality and presentation of live sports, as well as its broad portfolio of broadcast and digital properties so we are thrilled with the commitment they have made to NASCAR and its future,” said NASCAR Chairman and Chief Executive Officer, Brian France. “We know this partnership will yield great value to our entire industry, provide a premium experience to our most important stakeholders, the fans, and help us achieve a number of strategic growth objectives. Our new partnership with NBC and the recent extension by FOX validate the strength of our fan base and the many bold steps we have taken the last several years to provide fans with better, more accessible racing.”

In addition to rights to NASCAR Sprint Cup and NASCAR Nationwide Series races, NBC has also obtained exclusive rights to practice and qualifying sessions for NBC’s national series events during their portion of the season, as well as rights to broadcast the NASCAR K&N Series, NASCAR Whelen Modified Tour, NASCAR Toyota (Mexico) Series, the NASCAR Hall of Fame induction ceremony and NASCAR’s season-ending banquets. Further, NBC has been granted Spanish-language rights, certain video-on-demand rights and exclusive TV Everywhere rights for its NASCAR Sprint Cup Series and NASCAR Nationwide Series events.

“Acquiring the rights and bringing NASCAR back to NBC comes at an important point in time for NBC Sports Network, NBC, and all of our distributors and affiliates,” said NBC Sports Group Chairman, Mark Lazarus. “We look forward to working with Brian and his management team, who have brought a renewed focus to NASCAR’s intersection of sports and technology.”

“We are excited about the cross-promotional opportunities NBC provides, especially in the timeframes right before NBC’s NASCAR schedule and during the Chase,” said NASCAR VP of Broadcasting and Productions, Steve Herbst. “We’re confident NBC will utilize its powerful Championship Season lineup, including the NHL Playoffs, Premier League, the French Open, the Kentucky Derby and other events, to build interest and excitement for NASCAR. Those opportunities, combined with the opportunity to lead into the number one show on television – NBC’s Sunday Night Football – for select Chase races, were both very attractive prospects when considering this partnership.”

Braun react in Brewtown: Banner head in Journal-Sentinel; Columnist demands public apology

Yes, they are ticked off in Milwaukee at Ryan Braun. The Journal-Sentinel gave the story extensive coverage, including a front-page headline that only was a few counts off of “War Over.”

Columnist Michael Hunt took out the hammer on the “Hebrew Hammer”:

It’s my job to write that the tarnished golden boy, by his acceptance of responsibility for involvement with performance-enhancing drugs, is a cheater, a liar and a self-righteous one at that for his deceitful speech at spring training last year that pointed the finger at everybody except the one who bore the most accountability.

Silver transcript: ‘Grantland, a successful precedent, was important for me’

For those who can’t get enough of Nate Silver, here is the transcript of his Monday teleconference with ESPN president John Skipper.

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JOHN SKIPPER:  I’m very happy to announce that Nate Silver will be joining ESPN, and I’m thrilled because Nate has a really unique blend of creativity, journalism and statistical analysis that he can bring to ESPN.  This will really extend our leadership in using analytics in our storytelling and will bring Nate back a little bit to his sports roots, which I believe he’s happy about and we’re thrilled about.

The most important piece of business we’re going to do early on is Nate is going to bring FiveThirtyEight over to ESPN, and his first priority is going to be to serve as the editor in chief of that site and build a team of journalists, editors, analysts and contributors in the coming months.

Grantland is a little bit of a model for this in terms of how that will look.  It’ll also be a little bit of a model in terms of the independence that Nate will enjoy in doing that.  Our expectation is he will determine the content of that site.  Politics remains at the core of what he does, so politics is going to be important there.

You heard me suggest that he’s getting back to his sports roots, so clearly sports is going to be important there.  But I think that the range of topics will be quite wide, again will be determined exactly by Nate.

Because politics is so important here, we’re lucky and fortunate that ABC News is a partner in this and will provide a platform for Nate, particularly during election years relative to politics.

Much of that is to be determined despite some reports to the contrary.  We have not worked all of these things out and we’ll be happy to answer more specifics on that later, but let me give Nate an opportunity to make some remarks.  Nate?

NATE SILVER:  Thank you, John, and thanks, everyone, for joining today.  As I said in the press release, this is really kind of a dream job for me, and the more we thought about it, the more excited that I became and I think ESPN became, as well.

You know, what I’ve done now for politics at FiveThirtyEight is an approach we think is applicable to lots of areas.  Obviously I have a background in sports, and that would be a big focus here, but it’s not just going to be a politics site or a sports site.  There’s lots of potential in business and economics and weather and health and education and technology and culture.

We’re not going to necessarily cover all those things all at once, but it’s really more of a horizontal approach for how we do journalism and how we make data a résumé for people in terms of storytelling and visuals and good journalism and everything else, and I think I’ve found the perfect partner to do that given the resources that ESPN and ABC have.

I would say also the importance of Grantland, a successful precedent, was very important for me.  There were a lot of dimensions I thought about.  This decision took me a long time, but one of the pivotal ones was what I call execution, based on who can actually put this vision into practice, who can be a good partner.  Based on meeting John and Marie Donoghue and Ben Sherwood at ABC and Bill Simmons and David Cho, I have a lot of confidence that they’re going to do this the right way.

We have to react on the fly a little bit.  You can’t plan for something this new and different perfectly, but I really think that we’re going to help one another kind of execute our vision and have a really, really compelling web product.

 

Q.  You mentioned execution.  I mean, what was kind of the image in your mind of what your sort of dream site was going to look like, and what was it about ESPN that they could execute it that maybe you couldn’t do some other places?

NATE SILVER:  Well, I mean, Grantland is a pretty good precedent for roughly the size we might be looking at.  I think we might be a little smaller on launch, but we have a site and we should have a great team, but it’s also built around someone’s sensibility, in Bill’s case at Grantland and my case at the new FiveThirtyEight.

Also that it really does ‑‑ I mean, it’s an independent voice within ESPN as far as Grantland, so there’s plenty of things that other people might not like, but it’s still Bill’s voice and the voice of Bill’s contributors.  At the same time, there are a lot of strategic relationships that it has with other entities.

But yeah, the fact that ESPN and ABC and Disney are really good at figuring out how to build products.

For some other suitors, there were a lot of possibilities.  We just had a little bit less confidence there.

I do want to say one thing up front:  This is a case not where we felt like we had one good option and a number of bad options.  We were lucky to be blessed with a lot of very good choices, and this one was kind of a 9.5 out of 10 or a 9.8 out of 10 or a 10 out of 10 when you look at everything.  So I don’t want to speak ill of any other alternatives, but just that Grantland precedent was as close as anything in media right now to what we see the vision of FiveThirtyEight as being, just being able to spend time with Bill and David Cho and work through some issues that they dealt with ‑‑ the first time it’s going to save me not every headache, but a lot of headaches over the next few months.

 

Q.  I have two questions for you.  First off, at this point have you made any hires for the site that previously have not been announced?

NATE SILVER:  No.

 

Q.  And then secondly, from what you understand at this point, how often will you appear on ESPN’s television platforms?

NATE SILVER:  Well, what I’d say is that our focus is on the web product first and foremost.  I’d say particularly in the first six, nine, 12 months, and remember, I’m already ‑‑ my writing and modeling skills are pretty important a feature at FiveThirtyEight, but I’m also going to be charged with helping to be an editor in chief and build out the business, so those are almost two full‑time jobs by themselves.

I do think obviously in the longer term there are so many resources here in terms of television, in terms of film, also a little bit in different products that we’ll have a lot of choices to make, but this is a web‑centered product, and we haven’t discussed very many specifics at all about which programs I’ll be on.  I’m sure that will evolve over time, but I assume people assume, oh, it’s ESPN so it’s TV.  I’ll be on the network some I’m sure, but we really want to get the website rolled out first.

JOHN SKIPPER:  Let me point out a couple of things.  The first is we don’t have a programmatic plan for where Nate is going to appear.  It’s going to be much more opportunistic and it’s going to tie in much more with what he’s doing on FiveThirtyEight that we think will be interesting on television.

The dramatic exception to this would probably be ABC News during an election cycle where we do have every intention of Nate appearing on ABC News to talk about the elections.

The second point I would make is there have been some speculative notions about where decisions have been made about Nate on television, and those are just wrong.  We have not made any decision about Nate appearing on the Keith Olbermann show, we have not made any decisions about Nate being on the Oscars.  My expectation is that Nate and I and Ben Sherwood and other folks will think about where this will make sense, and we do not want to overburden Nate either early on when it is quite a task to start a website, hire people, figure out sensibility, do design, figure out priorities, and we’ll figure out when we’re going to do this on television.

But you should not assume that we’ve made those decisions.

 

Q.  How many years is Nate’s deal for?

JOHN SKIPPER:  It’s a long‑term deal, multiyear deal.  Actually Marie Donoghue actually did the deal with Nate.  I’m not actually sure where we ended up, and I am pretty sure we’re not going to tell you exactly, except you probably could get the election cycles out and figure out that this deal is going to run through some election cycle.

 

Q.  Just wondering exactly, some reports have been doing some statistical analysis to weather prediction.  Just wondering how exactly that works within the network, within the deal and how you sort of bring that analysis to weather prediction?

NATE SILVER:  Well, I know that it’s going to be Nate Silver coming up with the weather model, but there are some meteorologists out there who write in a very compelling way and I think might deserve to get a larger platform, so it’s a vertical we’re going to think about.

One other thing I’d say by the way is I guarantee there will be some politics and sports content at FiveThirtyEight, almost for sure some economics content.  Beyond that, thought, it might be a case where if we find the right person, we might hire in that vertical or not do so otherwise.  One very valuable piece of advice that Bill Simmons gave me bided their time waited until they had the right voice for college football, for example, at Grantland.

Between ESPN and ABC’s resources, we don’t have to cover every single story in the news hole.  We want to cover what we cover really well in a really differentiated, original way.  We’re looking for people who can think and do math and write, and those skills don’t always overlap, so it’s going to be an intense search process for the right candidates to work for us.

But whether it’s a topic which I’m kind of passionate about personally, it might be a lot of fun to cover a topic if you can find the right voice.

 

Q.  The New York Times public editor mentioned today, described you as a disruptive force at the Times and how she had gotten some criticism from colleagues including some high profile political journalists.  I wonder did you ever feel that you were too constrained within the Times culture to do what you wanted to do or that you were not supported in any way at the times?

NATE SILVER:  No, look, I had plenty of support I felt from Jill and from other key people at the Times.  We don’t really want to dwell too much on my relationships there.  But it was not a ‑‑ I would say I love the people at ESPN, but this culture stuff at the Times was not a big factor in the decision.

 

Q.  Nate, what size of staff are we looking at eventually?

NATE SILVER:  We don’t know exactly.  I mean, we have a rough sense of what the budget will be but we have to figure out how to spend that on front staff, meaning writers, on people who are designers, but yeah, we can’t be ‑‑ it’s to be determined.

 

Q.  No rough estimates?  Are we talking dozens?  Hundreds?  Scores?

NATE SILVER:  I would say definitely not hundreds.  I mean, no.  Look, Grantland is one precedent.  You can kind of figure out roughly the size of the staff over there.  I’m not sure we’re going to be quite as large as that at first, but you never know.  One of the great things about this opportunity is you’re with a business that knows how to invest in different properties, and maybe things really take off and you’re in a hockey stick growth curve, or maybe you just have a suite of a site where you have four or five people and they’re four or five really good people, and that’s what it is, and it could be either one.  We have a lot of flexibility.

 

Q.  And I’m sorry, I don’t know the size of Grantland.  Can anyone tell me what that is?

JOHN SKIPPER:  It’s small dozens.

 

Q.  I understand that you guys haven’t made firm decisions about what you will and will not be doing with the Oscars, but what are some possibilities of ways that you might cover that?  I know in the past you have predicted them using the sort of statistics‑based approach, but that hasn’t really been tremendously successful, and so I just wonder is it always going to be a statistics‑based approach or would you look to do more sort of general ‑‑

NATE SILVER:  I think if you look at the track record, there’s no one who has a very successful track record at the Oscars, really, and a lot of the insider gossip is also wrong.  Unlike in politics where you can avoid the insider gossip by looking at the polls, there’s not a great system to predict the Oscars.  That doesn’t mean we’re not going to try and have some fun with it and try and learn different things.

But look, one of the things people really misunderstand about what I do is we’re making probabilistic forecasts, right.  You’re not saying definitively this will happen for sure; we’re not clairvoyant.  We’re trying to use the data that’s available to forecast and prepare people for the world, just as they do in weather forecasting, and you’re limited by the quality of the data and the complexity of the problem and a whole host of other things.

The Oscars are a very political process.  I hope people won’t take everything that we do deathly seriously.  One word we tossed around here at ESPN is just the F word, which is fun, that we can have some fun with things.  We can have different tonality on the blog, we can be cheeky and have different ‑‑ it doesn’t all have to be so serious all the time, and I hope people don’t take the Oscars as a life‑or‑death thing.  But yeah, it’s another opportunity I’ll look at.

 

Q.  Can you articulate a little bit about what you expect the voice of FiveThirtyEight to be as you have this larger platform?

NATE SILVER:  Yeah, it’s something we have to think about, and I think the voice of the blog changed a lot from the original FiveThirtyEight.com to the New York Times, and maybe it’s going to be somewhere in between.  But we differentiate FiveThirtyEight as being a smart site.  It’s going to be analytics driven, and there’s a data numbers component to just about everything we do.

Now, in terms of what tone you use, we’ll have to sort that out.  It might even be that we have kind of a blog within FiveThirtyEight as Grantland has blogs like The Triangle that are more informal, and then you have articles which are a little bit longer, receive more edits and so forth.

We have to have different tenors that we can adopt, and also we’re going to be bringing on a whole different team and they’re going to have their own individual voices, too, and we want to let those voices sing, so to speak.  But this is all stuff we have to think about the next few months.

JOHN SKIPPER:  Yeah, I think one thing, if I jump in, one thing is the subject matter lends itself to really interesting graphics, and a lot of times it’s really fun to see what you can do sort of illustratively as opposed to just writing about it.  So I think you’ll see an interesting looking site, as well, I hope.

NATE SILVER:  Yeah, I’m a big snob about visual design.  I’m coming kind of from a family of designers and architects.  It often is the best way to convey complex information.  So how things look, and we think the interactive and graphical features will have ‑‑ are every bit as important as the written word, and it’s also something which requires more resources to build the site up, finding the right design directors and so forth and the right templates.

It’s not an easy thing to do; that’s one thing I will say.  I will miss the New York Times.  Those guys are extremely talented at their interactives and their graphics, so that’s something I’ll miss there.  But we’re going to hope to replicate it as best we can at the new FiveThirtyEight.

 

Q.  Just really quick, wondering when the new FiveThirtyEight.com goes live?

NATE SILVER:  That’s among the things that we have to determine.  What I would say if it’s possible to have an interim site where it’s very plain and it might just be like a Tumblr or a medium blog or something where I’m writing, but we want to emerge strong out of the gate.  We want to have a good team in place.  It’s hard to go from 0 to 60 immediately, so it’s going to be ‑‑ it’ll come out in the impending months I guess is what we’ll say, and we have to think strategically in terms of how long it takes to build out the right team before we determine when we go live with the big launch.  But there will be some interim writing.  If I want to write on the New Jersey gubernatorial election or something, then you’ll be able to find my writing in the interim.

 

Q.  A sense of weeks, months, years?

JOHN SKIPPER:  I think months.  This is not a simple matter, and we haven’t started on it yet because of course it’s not appropriate for us to do yet.  The FiveThirtyEight.com will be on the New York Times site probably through the end of August, and in some number of months after that we’ll announce the launch of a new site.

 

Q.  Just a couple of quick questions:  First, it’s not quite clear, unless it is and I missed it, my understanding is that Nate owns roughly all of FiveThirtyEight.  Does ESPN now own FiveThirtyEight or is it still a licensing deal or is it a contract?

NATE SILVER:  I think we can speak to that, right?  ESPN is buying the URL and the FiveThirtyEight trade name, so that differs from the current deal with the New York Times.  It’s not a pure licensing deal.  It is a more all‑in partnership.

 

Q.  Are there any people ‑‑ it sounds like you talked to Bill Simmons, people at ABC.  Are there any people you consulted with that you can tell us about who might be a little more surprising or unexpected or we may not have heard about in terms of your making your decision?

NATE SILVER:  I want to give a ‑‑ my attorney Steve Shepard did a great job with this, and he’s someone I worked on with the Times deal in 2010, and he’s a really smart guy, and he knows the media landscape really well.  He’s not one of these guys that works for a big, high‑powered agency, and he gives advice that you can trust and he’s someone who really came to trust and to like the people we met at ESPN.  So he had a lot of influence on the decision.

It was a multiway decision.  I think one thing that’s been a little bit misreported is that it was just ESPN and the Times.  It’s not true, but there’s no good incentive for me to say who some of the other names were.  We had a lot of intriguing offers.

 

Q.  And I guess another question is you keep saying we, and I’m wondering if that’s sort of the royal we, or if there’s ‑‑

NATE SILVER:  Look, FiveThirtyEight is a team at the New York Times.  I have Micah Cohen helping me out and Megan Liberman, who’s been a great editor for the site, and kind of consulting with my counsel Steve.  It feels like a we, and it’s going to become even more of a team effort here at ESPN.  So it is a little bit of a tic, but that’s really how I think about it as kind of a bigger project, and part of what I want to do is I’m tired of doing everything kind of by myself.  I want to have a team and make it more sustainable.  I think this type of journalism is going to be a huge influence on the world, and so let’s kind of plant some seeds and let it grow.

JOHN SKIPPER:  I thought maybe the royal we was Nate and the new baby.

 

Q.  Nate, you said before, going back to the Oscars, that you’re limited by the quality of the data.  I’m wondering what data do you find relevant, and secondly, although no decisions have been made by Oscar broadcast, what’s the current thinking about your participation?

NATE SILVER:  You know, it’s funny because among other things I can be kind of a critic of the way the media covers certain stories at times, and the fact that there are such specific accounts about things I’ll be doing or not that are completely wrong, like things we literally never talked about in a dozen meetings or something, so it’s an opportunity, but there are no plans.  There’s no thinking at all.

In terms of the data on the Oscars, one thing that would be useful is in a poll you see what the percentages are, so we think of the awards leading up to the Oscars as analogous to polls.  If you knew how close the results had been, where Argo was at 21 percent and Zero Dark Thirty was at 18 percent versus a blowout, then that would help some, and you’d have more precision as you do with polls.

 

Q.  And no thinking at this point about participation in the broadcast?

NATE SILVER:  No, we literally haven’t had a conversation about it.  We talked about a lot of things, John and Marie and I, but not about that.  It just didn’t even really occur to us until ‑‑

JOHN SKIPPER:  Until it occurred to everybody else.

 

Q.  How much did you pay for the website, guys?

JOHN SKIPPER:  We won’t comment on that.

 

Q.  Nate, you mentioned a number of times throughout this conference that Grantland was one of the big reasons why you were swayed in coming over.  I think a lot of people are familiar with it.  It’s a very nice site.  If ESPN didn’t have Grantland, how important was it to your decision making?

NATE SILVER:  It’s hard to go through those hypotheticals.  My lawyer says ‑‑ let me see if I can get this wrong.  He says, well, if we had ham, we’d have ham and eggs, if we had eggs, right.  So you can go through hypotheticals and say what if ‑‑

 

Q.  I’m not asking a hypothetical.

NATE SILVER:  Yeah, but it’s hard to know.

 

Q.  Lastly, the public editor at the New York Times wrote today that she had heard from other staff members of the Times that Nate didn’t seem to fit in.  Is that true?

NATE SILVER:  Look, I’m interested in running a website and building out a business here and having my opinion to weigh in on different topics.  I’m not interested in who I’m getting a beer with.  I have plenty of people in my social circles for that.  So these cultural issues I think are getting a little more play than is appropriate.

 

Q.  I was wondering, there’s a lot of talk of using your analytical skills in the Oscar and awards show realm.  Do you see it as being applicable in any other part of entertainment like the television realm?

NATE SILVER:  Yeah, there might be things that are more kind of routine, like what can you do to predict television ratings and so forth.  But look, I’d also say we are aware that to do physical analysis takes a lot of skill, and so we don’t necessarily want to delve into things where we feel like we’re not going to add a fair amount of value, right, and we definitely don’t want to create the perception that we can snap our fingers and predict everything.  If you read my book, “The Signal and the Noise,” it’s skeptical about the ability to kind of have a magic formula, but it’s more of a kind of thinking about data in a robust way, seeing the world through a more numbers driven way, and prediction is one tool for that.

But look, if we think we can have a good model, then we’ll do it or have some fun with it and we’ll do it, but if we think it’s not a good product then we’re not going to put it out there.

 

Q.  I was just curious, you mentioned a little bit about how it’s not going to be strictly sports or strictly political.  What in your opinion would be sort of like the dream home page of what kind of topics you’re covering, if you can go a little bit more specifically into what kind of topics you would like to cover?

NATE SILVER:  I mean, one model we’ve talked about is kind of the old ‑‑ the current actually USA Today where you have those four sections; you have news, sports, money and life, and you can kind of fit most things we want to cover into one of those four bundles.

So you have obviously sports is going to be an important focus of the site.  On the news side we’re probably more going to be concerned about elections in particular, but there’s some other types of news.  Weather is one I mentioned.  On the life side it can be fun, kind of cultural stuff, what’s the best place to live, also education‑related things, and then obviously we think we can do maybe a better job than current competitors about how you present economic data to people that understand some of the uncertainty when you have a job support ad every month, what that really means.

Now, I also know that things will evolve over time, so I can’t predict what the exact mix of content will be.  I do want to emphasize we’re not pulling back from politics.  We’ll probably hire at least one more person to cover politics full‑time, so although my interests might be slightly more divided, we are certainly still going to be fathering election forecasts, certainly going to be writing other coverage of politics.  It’s not going to be a partisan site, as FiveThirtyEight isn’t right now.  It’s not going to be a political commentary, but to the extent there are data‑driven ways to look at politics, it’s been a very successful product for us and will continue to be an emphasis.

But we have an ambitious and broad take on what we’d like the site to grow into.

 

Q.  What role will David Cho play in building up FiveThirtyEight?

JOHN SKIPPER:  David Cho is a terrific resource.  David has been sort of the general business manager at Grantland.  I think he and Nate have become friendly, and I think he’s another person whose insight was helpful to Nate, and I think we look forward to having David help us think about how we build this out.

NATE SILVER:  Yeah, look, I plan to spend a bunch of time in the coming months with David and Bill.  Their experience is really, really relevant to what we’re trying to do.  And as I said in general, the quality and the professionalism of the people here and throughout the ESPN family has been really key to us.  This is a long‑term commitment, and no matter how many things you put down in the contract you’re going to have things you have to think through and things you have to navigate on the fly so that people that you feel like you have a good relationship already and that you trust, whose judgment you trust, that’s really valuable.

 

Q.  Does he have an official role at FiveThirtyEight or is he just helping out?

NATE SILVER:  I mean, no one has an official role right now apart from me.  The decision took a long time, but the end game here has come together quite quickly, and so yeah, my focus on the next couple of months is finding the right people to build a team and a website with.

 

Q.  I was just wondering, you said that a couple places quoted you besides ESPN.  Was Politico one of them?

NATE SILVER:  Was Politico one of them?  I mean, you can probably make a good inference about that given my history with them, but I’m not going to make any specific comment.

 

Q.  I’m just wondering, you said so much about Grantland, and that obviously makes sense given this deal, but what other sites or properties might be informing what you’re going for, be it tonally, esthetically or as a business model?

NATE SILVER:  One other site that’s been talked about a little bit is Ezra Klein site at the Washington Post, Wonkblog, and that’s a decent precedent for what FiveThirtyEight might try and do, as well.

But this is kind of a relatively new thing, and you can name a couple of these sites right now that are kind of sub‑brands within a brand, and I think the companies who have launched them feel like they’re working pretty well for the most part, and that’s different a little bit than the current FiveThirtyEight model where it was just me and Micah and Megan.

We are trying to accommodate more of a team effort here.  It’s going to require work on my part and everybody’s part up front to get the right team in place.  But we think it’s going to be a very natural fit, and the fact that Grantland is the No. 1 precedent for what we’re trying to do just made the decision easier.

 

Q.  I know that you have been a little bit unwilling to get into too much specifics about numbers here, but is there any way ‑‑ using your vast ability to talk about numbers, is there any way you can just basically lecture us a little bit on the difference, if any, between the offers between ESPN/ABC and what the counteroffer was from the New York Times?

NATE SILVER:  That’s a very clever hook to try to get me to answer the question.  What I’d say is that when I think about decisions there were about six different categories I looked at, and finances are one of them.  We live in a capitalistic society.  But the ability to ‑‑ who can execute the site, prestige, where do I have more editorial freedom, where is it going to be more fun and more challenging.

One factor here was that there’s no doubt for different reasons it might be easier for me to stay at the New York Times, but I’ve been someone who kind of every four years has shifted my career in different and subtle ways, and that motivates me, right?  There are going to be some things that are challenging here, especially in the building process, but the fact that there are, I tend to succeed under those circumstances.  If I get too comfortable, I become uncomfortable, ironically.  So that’s more of the motivation than the kind of cash stuff.

JOHN SKIPPER:  First wrap‑up thought I have is our goal here is to make Nate comfortable and happy so this is his long‑term home so he doesn’t have to do this every four years, and we’re genuine about that.  We really care about smart, talented individuals who can make a difference in our creating superior content for fans, and we think that’s what Nate can do for us.

I want to end by giving a shout‑out to Ben Sherwood at ABC News.  Those guys were really helpful in this, and I think we would have had a lot more questions about why ESPN if he didn’t have that outlet for Nate relative to how important politics is in his domain.

I’d like to thank everybody for joining us.  I’d like to thank Nate for being willing to make a leap of faith and put at least some portion of his future.  We’ll discuss the length of that portion of his future at some future date at ESPN, and we’re looking forward to working together.  Thank you.

 

NASCAR leaving ESPN for NBC; Fox still will be part of package

From Sports Business Daily:

ESPN and Turner Sports will be out of the NASCAR business after next season, according to several sources. NASCAR is planning a press conference later today to announce that Fox and NBC will share rights to the sport starting in 2015. Financial terms of NBC’s deal and its broadcast plans aren’t known, but the network had been pitching NASCAR on returning the Sprint Cup series to broadcast TV and could air races on Sunday afternoons on NBC prior to “Sunday Night Football.” NBC also picked up rights to the second half of the Nationwide Series. It’s unclear if those races will be on NBC or NBC Sports Network.

More to come later.

 

Everyone loves Phil: British Open does strong ratings for ESPN

lf Tiger Woods is the best player of this generation, then Phil Mickelson definitely is the most beloved.

I can’t recall the winner of a major resonating more with fans than Lefty’s victory at the British Open Sunday.

I heard a fair amount of sports talk radio yesterday, and thanks to Mickelson, there were significant discussions about golf on shows that never talk about the sport.

You got the sense that a player who always has existed in the shadow of Woods had his career-defining moment with an epic 66 on Sunday at Muirfield. Fans wanted to celebrate “the People’s Champ” winning a title he never expected to win.

All in all, good stuff.

The rundown from ESPN.

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With many of the sport’s biggest names in contention, ESPN’s live telecasts of the weekend rounds of play in The Open Championship on Saturday and Sunday, July 20-21, set cable viewership records for golf’s oldest major championship. ESPN’s digital platforms also saw double and triple-digit increases during the event.

According to Nielsen Fast National data, ESPN earned a record-tying 3.1 U.S. rating for the 8 a.m. – 1:30 p.m. ET live telecast of Sunday’s final round as fan favorite Phil Mickelson scored a come-from-behind win at Scotland’s Muirfield Golf Links. The telecast, which averaged 4,372,000 viewers, tied the ratings record set in last year’s final round for the highest-rated cable telecast of the event and set a cable viewership record for the event, eclipsing last year’s mark of 4,227,000.

The 9 a.m. – 2:47 p.m. Saturday telecast earned a 2.7 U.S. household rating, averaging 3,776,000 viewers, beating the 2.6 U.S. rating and 3,545,000 viewership average ESPN earned for third-round coverage in 2012. It ranks as cable’s highest-rated and most-viewed telecast of the third round.

Sunday’s telecast ranks third-highest among all golf telecasts on cable, only behind the 2008 U.S. Open playoff and the 2010 Masters first round (when Tiger Woods returned to golf). The Saturday telecast ranks ninth. ESPN golf telecasts hold nine of the top 10 positions, including all of the top five.

ESPN’s telecast of the opening round on Thursday also attracted more viewers than last year, with the 7 a.m. – 3:45 p.m. telecast averaging 1,398,000 viewers, up from an average of 1,343,000 last year, with both telecasts earning a 1.1 U.S. rating. Friday’s 7 a.m. – 3:39 p.m. coverage was down slightly from last year, earning a 1.3 rating with an average of 1,658,000 viewers, down from a 1.4 rating and 1,771,000 viewers last year.

Saturday’s encore presentation airing on ABC from 3-6 p.m. was up in metered market ratings, earning a 1.4, up from a 1.3 last year. Sunday’s presentation earned a 1.6 metered market rating, the same as last year.

The Open Championship (July 18-21) across ESPN digital platforms – including ESPN.com, Fantasy, the ESPN mobile Web, ScoreCenter and WatchESPN – logged an average minute audience of 95,831.  Specifically on ESPN.com, the Golf section logged an average of 890,000 daily unique visitors (up 22 percent) and an average of 9.3 million minutes per day (up 65 percent).  On mobile, the Golf section on the mobile Web averaged 7.6 million minutes per day during the championship (up 32 percent), while the Golf section on the ScoreCenter app averaged 413,000 daily unique visitors (up 107 percent) with an average of 2 million minutes per day (up 105 percent).  Additionally, The Open Championship on WatchESPN and ESPN3 generated 74.8 million total minutes throughout the event, up 21 percent compared to last year.

Revamped: Fox sets lineups for college football pregame shows

Fox Sports is going to give it another try. Last year’s first effort did not meet with much acclaim. And that’s putting it nicely.

The show lacked chemistry. Again, that’s putting it nicely. Whether it was the cast, or the inability of host Erin Andrews to tie it together, is the big question.

However, Fox has a considerable investment in Andrews. So she gets another crack with a new time, more time, a new network and a new cast.

Andrews’ show, now two hours, has been moved to Saturday mornings on the new Fox Sports 1. That makes more sense, although it will be competing with ESPN’s much praised College GameDay. Good luck with that.

Out is Joey Harrington (now a game analyst for Fox Sports 1) and in is blogger Clay Travis, among others.

Also, there will be a 30-minute show prior to the prime-time on Fox, hosted by Rob Stone.

Here are the details from Fox:

*********

New York, NY – As the college football season rapidly approaches and with conference media days underway, FOX Sports unveils the on-air teams and studio personalities calling its expanded college football coverage this season. The announcement was made today by FOX Sports Co-President and COO Eric Shanks. The FOX college football season begins Thursday, Aug. 29, with three straight days of coverage on FOX Sports 1, FOX Sports Networks (FSN) and FOX College Sports (FCS).

Debuting this season is a two-hour edition of the FOX COLLEGE SATURDAY pregame show airing Saturday mornings from 10:00 AM-12:00 PM ET on FOX Sports 1, America’s new sports network. Erin Andrews (@ErinAndrews) hosts the program alongside former college football players Eddie George (@EddieGeorge27), Joel Klatt (@joelklatt) and Petros Papadakis. Also joining the studio crew is rules analyst Mike Pereira (@MikePereira), a former NFL and college official, and college football writer and FOXSports.com writer Clay Travis (@ClayTravisBGID). FOX COLLEGE SATURDAY makes its season debut on Saturday, Aug. 31.

Andrews, George and Pereira handled studio coverage on the FOX broadcast network last season, while Klatt, Papadakis and Travis are newcomers this season.  Klatt has previously worked as a game and studio analyst on FSN, while Papadakis has served as a sideline reporter on FOX and FSN and hosts a daily show on FOX Sports Radio. Travis runs the popular blog Outkick the Coverage (http://outkickthecoverage.com/), which is the official college football blog of FOXSports.com. He formerly worked as a columnist at CBSSports.com, FanHouse and as an editor at Deadspin.

Also returning this season are the lead broadcast team of play-by-play announcer Gus Johnson (@gusjohnson), one of the most exciting voices in sports, and analyst Charles Davis (@CFD22), a former standout at the University of Tennessee. The pair team up for their third year of college football on FOX Sports and are joined by sideline reporter Kristina Pink (@Kristina_Pink), who started with FOX in 2012 as an NFL on FOX sideline reporter. Johnson, Davis and Pink make their 2013 debut Saturday, Sept. 7, as Oklahoma hosts West Virginia (7:00 PM ET) on FOX.

College football games on the FOX broadcast network are preceded by a 30-minute edition of FOX COLLEGE SATURDAY featuring George and Klatt as analysts, with Rob Stone (@RobStoneONFOX) hosting. Stone has worked with FOX Sports since 2012 as a studio host for soccer programming on network and cable programs.

Stone also hosts pregame coverage leading up to Thursday evening games on FOX Sports 1, sitting alongside analysts Coy Wire (@CoyWire) and Ryan Nece (@ryannece). Wire played nine years in the NFL and was a running back and linebacker at Stanford. He worked as a game analyst for the Pac-12 Networks during the 2012 season. Nece is a former NFL player and was a four-year starter at UCLA. He served as a sideline reporter for the United Football League and was an analyst and sideline reporter for the Pac-12 Networks last season.

Calling Thursday night games on FOX Sports 1 are Justin Kutcher (@JustinKutcher) on play-by-play, Klatt and Papadakis as analysts and Pink on the sidelines. FOX Sports 1 makes its college football debut on Thursday, Aug. 29, as Utah hosts Utah State (8:00 PM ET). A special one-hour pregame show, hosted by the FOX COLLEGE SATURDAY studio crew, precedes the Thursday night matchup.

Stone, Wire and George, Klatt or Papadakis will provide halftime and between-game updates during FOX Sports 1’s Saturday games. Patrick O’Neal provides game breaks during Saturday’s broadcast coverage. O’Neal most recently worked as a studio host and reporter for FOX Sports West/Prime Ticket.

Other broadcast crews for FOX Sports 1, FSN and FCS games include play-by-play broadcaster Craig Bolerjack (@BuckleUpBoler) with analyst Joey Harrington and Nece on sidelines; Kutcher with analyst James Bates and Brady Poppinga on the field, and Adam Alexander on play-by-play with Chris Simms providing analysis.

FOX Sports televises approximately 165 college football games nationally and regionally on its broadcast and cable networks, which include FOX Sports 1, FOX Sports Networks and FOX College Sports. FOX air Saturday games on the broadcast network beginning Sept. 7, while FOX Sports 1 carries one game each Thursday, starting Aug. 29, and two or three contests each Saturday, beginning Aug. 31. Pregame coverage is highlighted by a two-hour studio show each Saturday from 10:00 AM-12:00 PM ET on FOX Sports 1. Saturday games on the broadcast network and Thursday games on FOX Sports 1 are each preceded by a 30-minute pregame show.

For more on FOX College Football, follow @CFBONFOX on Twitter and “Like” FOX Sports on Facebook (facebook.com/foxsports).

The full list of FOX Sports’ 2013 college football broadcast teams can be found below:

FOX

Play-by-Play: Gus Johnson

Analyst: Charles Davis

Sideline Reporter: Kristina Pink

 

FOX SPORTS 1 THURSDAY NIGHT

Play-by-Play: Justin Kutcher

Analyst: Joel Klatt/Petros Papadakis

Sideline: Kristina Pink

FOX SPORTS 1

Play-by-Play: Craig Bolerjack

Analyst: Joey Harrington

Sideline: Ryan Nece

 

Play-by-Play: Justin Kutcher

Analyst: James Bates

Sideline: Brady Poppinga

 

Play-by-Play: Adam Alexander

Analyst: Chris Simms


 

 

Nate Silver to have his own site at ESPN; will hire own staff

ESPN has made it official, and as expected, Nate Silver will have his own site. Silver will be hiring, so polish up those resumes.

More to come, but here’s the release from ESPN.

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Leading statistician and best-selling author Nate Silver will join ESPN later this year, bringing his unique brand of creativity, journalism and statistical analysis through his award winning website, FiveThirtyEight.com. The site’s new incarnation will allow Silver to return to his sports roots while expanding his approach to numerous disciplines, including economics, culture, science and technology, and other topics. FiveThirtyEight will also continue to provide data-driven coverage of politics, including forecasts of the 2014 and 2016 elections. The site will extend ESPN’s leadership in using data and analytics in its cross-platform storytelling.

Silver will serve as the editor-in-chief of the site and will build a team of journalists, editors, analysts and contributors in the coming months. Much like Grantland, which ESPN launched in 2011, the site will retain an independent brand sensibility and editorial point-of-view, while interfacing with other websites in the ESPN and Disney families. The site will return to its original URL, www.FiveThirtyEight.com.

Silver’s reach will also extend to television and other ESPN platforms, where he will contribute to a wide variety of programs. He will showcase his work regularly on ABC News outlets as well, and during election years and key political events, Silver will provide political insights and analysis to ABC News.

Since 2010, FiveThirtyEight has been hosted on The New York Times website. Silver and other members of the FiveThirtyEight leadership team will be based in New York City.

Said ESPN President John Skipper, “Nate is one of the country’s brightest talents and his insight, journalistic integrity and creativity — all traits essential for creating compelling, quality content — have awed and entertained diverse audiences. Nate brings a unique fan base to ESPN, where he will curate a cross-platform, cross-discipline experience with a fresh take on the intersection of sports, culture, technology, economics and politics that will be provocative and completely different than anything else in the marketplace today.”

Silver added, “This is a dream job for me. I’m excited to expand FiveThirtyEight’s data-driven approach into new areas, while also reuniting with my love of sports. I’m thrilled that we’re going to be able to create jobs for a great team of journalists, writers and analysts. And I think that I’ve found the perfect place to do it. The variety and quality of the assets ESPN and ABC News presented to me was compelling and unparalleled. I can’t wait to get started.”

Ben Sherwood, President of ABC News, said, “With great enthusiasm, we welcome Nate Silver and we predict with 100 percent confidence that his unique voice and penetrating insights will contribute mightily to ABC News coverage of politics and many topics.”

Silver has established himself as today’s leading statistician through his innovative analyses of political polling. He first gained national attention during the 2008 presidential election, when he correctly predicted the results of the presidential election in 49 of 50 states, along with all 35 U.S. Senate races. In 2012, FiveThirtyEight predicted the election outcome in all 50 states. FiveThirtyEight has made Nate the public face of statistical analysis and political forecasting.

His most recent book, The Signal and The Noise: Why So Many Predictions Fail – But Some Don’t, is a New York Times bestseller. Before he came to politics, Nate established his credentials as an analyst of baseball statistics. He developed a widely acclaimed system called PECOTA (Player Empirical Comparison and Optimization Test Algorithm), which predicts player performance, career development, and seasonal winners and losers. He is a co-author of a series of books on baseball statistics, which include Mind Game, Baseball Between the Numbers, and It Ain’t Over ’til It’s Over. Nate has written for ESPN.com, Sports Illustrated, Slate, Baseball Prospectus, Newsweek, The New York Post, and The Los Angeles Times.

Silver has earned a series of accolades. Most recently, Fast Company chose Nate as No. 1 on their list of the 100 Most Creative People in Business 2013. He was among TIME’s 100 Most Influential People of 2009 and Rolling Stone’s 100 Agents of Change. In 2012 and 2013, FiveThirtyEight won Webby Awards as the “Best Political Blog.”

Let him curse: Time to take boom mics off angry Tiger

It has been fairly well established that Tiger Woods can get fairly hot at himself during a golf tournament. Especially when things are going badly, as was the case yesterday.

Sure enough, angry Tiger let out a fierce “God damn it” after a couple of bad shots. They were heard in all their glory on ESPN.

Perhaps “God damn it” is acceptable language for conventional TV these days, but I am sure many viewers weren’t thrilled to hear it, especially if they were watching with kids.

What bothers me about all this is that Tiger always gets knocked for having a foul mouth. Like he should say, “Golly, gee whiz” when he hits a bad shot. Or in the vernacular of Ken “Hawk” Harrelson, “Dad gum it.”

The reality is that golf is a maddening game. Often a “Dad gum it” just doesn’t cut it.

Golfers swear. I swear. I wouldn’t want a boom mic around me when I hit a bad shot. Neither would you.

Tiger should have the same freedom go off on himself when things go badly during a round. Believe me, he isn’t alone out there.

If the networks want sound from Tiger, use a 7-second delay so any expletives can be edited out. And if that option doesn’t exist, then keep the boom mics away from him.

It’s really as simple as that.

********

Aside from that, I want to hand out props for ESPN’s British Open coverage. Mike Tirico was superb as always as host, and Scott Van Pelt and Sean McDonough are solid with on-course coverage.

Wish we heard more of Paul Azinger on a regular basis, and always a treat to listen to Judy Rankin.

 

 

 

Q/A with Peter King on new MMQB site: ‘An attempt to stay ahead of curve and not get crushed by curve’

Peter King was straining to remember the name of the movie.

“You know the one where Robert Redford runs for office,” he said.

The Candidate?

“Yeah, The Candidate,” King said. “Remember when he wins the election and goes to a top aide, ‘What do I do now?’ That’s how I feel about this.”

This is the launch of King’s new site, MMQB.SI.com. Sports Illustrated officially hit the button to go at 8 a.m. this morning.

It appears to be SI’s version of the Bill Simmons-inspired Grantland with one difference: The content will be limited to the NFL. Much like Grantland, don’t expect to find tick-tock stories on who’s going to start at quarterback in Philly and a mountain of stats.

King explained in a debut post this morning:

We’ll be the thinking person’s site for pro football. If you follow us this season, visit TheMMQB.com three or four times a day between now and the Super Bowl, read our stories, watch our videos and listen to our podcasts … and if after doing that you don’t think you’ve been enlightened about the sport America loves, well, then I should be fired.

Indeed, this is an expansion of King’s highly successful Monday Morning Quarterback concept. SI gave King an open slate and told him to create a site on America’s most popular game.

Here’s the complete rundown in a post last week.

King, 56, says, “We’re all trying to figure out ways to be reinvented.”

Kings’ way is a bit more ambitious than most. I talked with him last week about the goals and hopes for the new site.

This thing is really happening. How does it feel?

It’s a little bit like when I was a kid on the night before opening day. I was a big Red Sox fan and I’d sit there like a nerd and write out the lineups for both teams. Now I’m deciding what stories to run. It’s sort of like making a starting lineup.

It’s different for me. It’s the next thing I was hoping to do. To be able to make some decisions and to run something my way. Fortunately, I have a lot of smart people around to help me.

Why did you want to do your own site?

The ability to say this is what I would like to do and here are the people I would like to do it with.This is an attempt to stay ahead of the curve and not get crushed by the curve.

In 1997, I got asked to do “Monday Morning Quarterback.” They needed content for SI.com. I had no idea it would be as widely read as it was.

That taught me a lot. Any time there is something new offered to you, you better consider it. You don’t know which way the media is going. Pay attention to new trends. If you don’t, you die.

What is your vision for the site?

What I like to do, and part of the excitement in this, is to bring people inside the NFL. Access. If you look at what I’ve done at Sports Illustrated, that’s a big part of it.

(This week), we have a story about a guy who got cut from Jacksonville in June. I asked him if he would do it. He said he really didn’t want to. Then he decided to do it. I think it is riveting. It takes you inside what it is like to be cut by an NFL team.

This is what I want to do: Experiential journalism.

What will a typical day look like for MMQB?

Once we get into the season, we’re going to post new stories or videos, or a combination of both at 8, 11, 2, and 5 (ET). Obviously, if there’s news, we’ll check in. During training camp, we won’t be as tied to the clock.

We’ll have regular features such as a 3 questions, 3 at 3. Our first subject is Joe Namath.

What about statistics and game coverage?

We’re not going to run NFL statistics. There are plenty of places to find that. We’re still talking about how we’re going to cover fantasy football. We don’t know if we’re going to cover games. We’re still making the decision.

It’s all about figuring out what the consumer of the NFL wants. I don’t know what the consumer of the NFL wants, but I have a gut feeling they want us to get to as many games as possible.

You’ve hired three writers (Robert Klemko, Jenny Vrentas and Greg Bedard), two of whom are in their 20s. What does that say about the direction for the site?

They’re young. They have new ideas. I don’t have all the answers. I don’t have half of the answers. I want young people telling me this is what we should do. I want their ideas.

You are going to use Richard Deitsch to write about the NFL and media. Don’t know if you’ve heard, but you might have to ride herd on him.

Thanks for the heads up. Richard is going to do a weekly column and then longer pieces about the business. TV and radio, and TV in particular, is how the vast majority of people experience football. We want to make sure he has the opportunity to do the stories he wants to do.

You had options to go to other places. How important was getting the site in your decision to stay at Sports Illustrated?

I could have done this elsewhere. Sports Illustrated wasn’t the only place that gave me the opportunity.

I have a loyalty to Sports Illustrated. I know why I am where I am. I wouldn’t be in this position if not for the platforms Sports Illustrated allowed me to have. Sports Illustrated is the right place to do this.

This is all new. Do you envision the site might look different a year from now?

We’re still making a lot of decisions. We’re still a work in progress. We want to make sure we don’t repeat mistakes if we think we’re making them.

You mentioned The Candidate in talking about this new site. Does that mean Robert Redford will play you in the movie version?

Of course.

 

Sunday books: The night Tyson dined on Holyfield’s ear; Author Q/A

They are the most famous bites in sports history.

On June 28, 1997, Mike Tyson brought boxing to an all-time low, and that’s saying something, during his fight with Evander Holyfield. Once, then incredibly twice, Tyson took a bite out of Holyfield’s ear.

In an entertaining new book published by Triumph, George Willis examines the fight, the careers of the respective boxers, and the aftermath.

Here is my Q/A with Willis.

What was behind the idea to do the book?

I was watching a January 2011 press conference for the May 2011 fight between Manny Pacquiao and Shane Mosley when Showtime CEO Matt Blank talked about previous PPV fights on Showtime and mentioned the Bite Fight.  He paused to say, “That would make a great book one day.”  I thought it would, too.

What was your recollection when you realized what happened?

I had just started working at the NY Post and was on vacation watching the fight on PPV.   I think I was the first in the room to say, “I think he bit him on the ear.”  It was stunning to watch the developments from the disqualification to Tyson going berserk in the ring.  I couldn’t believe it was happening.

Was it the weirdest fight of all time?

It was probably the weirdest finish in boxing history, considering the magnitude of the fight.  But when interviewing people, many also mentioned “The Fan Man” fight as being equally bizarre.

How much cooperation did you get from Tyson, Holyfield?

I interviewed Mike four or five times and twice attended his Undisputed Truth one-man show.  He also wrote the foreword for the book.  I interviewed Holyfield once for three hours in a Las Vegas hotel suite.

Besides Tyson and Holyfield, there were so many other interesting characters. Who stood out for you?

Mills Lane was a compelling figure, agreeing to referee the fight on short notice and then having to quickly make some tough decisions about whether or not to disqualify Tyson after the first bite.   His journey from collegiate boxing champion, to district court judge to boxing referee all came together in the two minutes he had to sort out something that never happened before.   But there are other characters who stand out for various reason: including Holyfield two trainers Don Turner and Tommy Brooks, the plastic surgeon who repaired Holyfield’s ear Dr. Julio Garcia, and of course Don King.

If you had the chance, what would you have liked to asked referee Mills Lane?

I visited with Mills Lane, who suffered a stroke in 2002, and though he doesn’t speak he still has a friendly smile and strong hand shake. I would ask Mills why he gave Tyson a second chance and didn’t disqualify him after the first bite?

What is the lasting legacy of that fight?

The legacy of this fight is that it was Tyson’s darkest moment where he disgraced himself and the sport he loved.   It also heightened fans distrust of boxing and assurance they would receive their money’s worth when they purchased a PPV fight. But it also serves as an example of how a person can overcome his/her past.