Is Wilbon right? Has volume of great sports writing declined?

There was some interesting reaction to Michael Wilbon’s comments about sports writing in Wednesday’s post.

Wilbon, who edited Best American Sports Writing 2012, said: “There’s not as much good stuff as there used to be. Don’t get me wrong. I turned down some good pieces. But I know what it used to be. There’s not enough stuff that compels me. The volume (of quality writing) is not close.”

Several people disagreed with his assessment. Tweeters cited excellent writers and work being done at Sports Illustrated, ESPN The Magazine, Yahoo!, Grantland, etc. This week’s issue of SI has an excellent long piece on Rams owner/billionaire Stan Kroenke by L. Jon Wertheim. It is in the tradition of Frank Deford and the other SI greats.

There are several online platforms producing some excellent work. Much like Grantland, the new SportsonEarth was created to feed the demand for good sports writing.

Yet Wilbon also has good reason behind his comments. Clearly, newspapers do less than they did 20 years ago, even 10 years ago. You don’t see the takeouts or the long profiles. I remember doing 800-1,000 words for routine game stories during my days on various beats at the Chicago Tribune in the late ’80s and early ’90s. Now that’s almost like novel length compared to what you see today.

Naturally, the volume of what Wilbon terms as “good stuff” is going to be down. It has to be. Sports sections are much smaller, and writers are writing less.

Wilbon admitted that “90 percent” of what he read is in newspapers and periodicals. So perhaps he misses some of the quality work that is coming out of those websites. Maybe he needs to change his reading habits.

However, Wilbon is right when he says the writing isn’t the same. Or perhaps so much of the quality work gets drowned out by the shrill voices that demand to be heard on so many of those same websites. For many, it’s more about what you say than how you say it. There isn’t as much of a premium on the written word.

Wilbon said many times during our interview that the times “are different.”

“I’m not saying better,” he said.

Indeed, he is right. Yet I think the book he edited shows the profession still can produce a quality of work that would measure up in any era.

Last night, I read a piece in Wilbon’s book by Robert Huber in Philadelphia on Allen Iverson. He went to Turkey to find the former Philadelphia 76ers star in the last days of his career.

Huber writes of attending one of Iverson’s games:

Iverson’s scaled-down posse is easy to spot in the stands: two large black guys, one with a diamond earring, and one with a deeply lined face and a baseball cap pulled low, with a gorgeous eye-blinking biracial woman in tow, and a mixed-race buddy with a red ponytail, diamond-shaped earrings, and heavy silver chains. I point out these particulars because it is impossible not to stare at them, which is a dangerous thing to do even in Turkey.

Their standout presence is so at odds with both Iverson’s careful controlled first game and the crowds’s careful, nervous solicitation of him.

So Wilbon might be right. There might not be as much good stuff these days. But good stuff still is pretty damn good.

Let me know what you think.

 

 

ESPN lands Sugar, Orange Bowls for perpetuity; Notre Dame, SEC, Big Ten part of Orange Bowl deal

OK, the deals are only 12 years, but they might as well be forever. It is difficult to fathom that ESPN will lose any portion of the major bowls in anyone’s lifetime.

Yesterday, ESPN announced a 12-year deal with the Sugar Bowl. Today, it is the Orange Bowl’s turn.

Coming soon: Formal announcement that ESPN lands the new national title game, which begins in 2015.

As far as the Orange Bowl is concerned, the ACC champion will play an opponent from the SEC, Big Ten, or Notre Dame. According to ESPN.com’s Brett McMurphy, the SEC and Big Ten are guaranteed at least three appearances over 12 years: A maximum of two for Notre Dame.

 

 

Wilbon on why he still writes: It’s who I am; does columns for ESPNChicago.com

Part 3 of my Q/A with Michael Wilbon:

Michael Wilbon was at Soldier Field to write a column off the Bears-Houston game last Sunday. And he plans to be at San Francisco to do the same drill for the Bears-49ers game Monday.

Why?

I am not alone in asking this question. Wilbon already has a packed schedule with two shows at ESPN: Pardon The Interruption and NBA Countdown. And he has various other duties, projects and speaking engagements that keep him plenty busy.

Wilbon earns crazy money, as in excess of seven figures annually. He isn’t grinding out 80 or so columns per year for the money. Knock a couple zeros off of Wilbon’s contract, and that’s what a sportswriter earns.

And Wilbon isn’t even writing for ESPN’s biggest online platform. Most of his columns run at ESPNChicago.com. Hence, his coverage of Chicago sports.

Yet there Wilbon is, trolling the press boxes of his hometown teams. Going down to the lockerroom; checking sources. It can be hard and difficult. Grunt work, for lack of a better term.

Why wasn’t he relaxing at home Sunday night instead of catching a post-midnight ride in the rain outside of Soldier Field?

The answer, Wilbon says, is simple. Even though he has gained fame and considerable fortune on TV, the former Washington Post columnist says, once a writer, always a writer.

Here’s my Q/A.

You don’t have to do this. Why do you continue to write?

Because it’s who I am. I love it. I’m not exaggerating. I’m terrified at the prospect of not writing. That’s who I am. That’s what I do.

What about those TV gigs? Plenty of scribes in the press box wouldn’t mind trading places and paychecks with you.

I’m happy with what I do for ESPN. I’m grateful to do it. It’s fun. The fun level for PTI is a 10. The satisfaction level is a 9. But is that who I am? No. I aspired to be a columnist, not a talker on television. I didn’t grow up with that.

What is it about the creative process of writing a column?

You can’t develop a thought on TV. You have to go to something else. It’s sound bites. It’s 140 characters. It’s tidbits. I kid Bill Simmons about writing 6,000 word columns. You don’t necessarily have to do that, but with a column you get a chance to develop a thought.

I go out of my way to write because I still love it. I live in complete fear every day that I’m not as good at it.

How so?

I went to the Olympics and wrote every day. 20 columns. I loved it, but that’s it. I’m not going to do the Olympics anymore. The writing is harder now. Now I know what the coaches mean about getting the reps.

Once I wrote 230 columns in a year at the Post. Another year, it was 208. When you go down to 80, you’re not going to be as good at it. The words don’t come as quickly on deadline.

At the Bears game Sunday, I told the driver to pick me up at midnight. I walked downstairs at 12:28. It took me an hour-and-half to write that column. That’s twice as long to write what I used to write. And I worried all night, was it any good?

What if they asked you to go to Brazil for the Olympics in 2016?

In four years? Are you kidding? I won’t be able to produce any copy. It’ll take me a week to write a column.

How come you’re writing mainly for ESPNChicago.com and not for ESPN.com?

They’ve got a ton of people over there. I’m not anyone. I’m just a guy who argues on TV.

My first thought  when I (started writing for ESPN) was that I would do more national stuff. I don’t think anyone cares or wants me to. I did not think it would evolve in this direction. I still do some pieces that run nationally. They’ll call me and, ‘Can you write a big picture piece (for ESPN.com)?’ But I’m glad it worked out this way because I care about what goes on in Chicago.

So you’ll be in San Francisco for the Bears game Monday?

I volunteer to cover stuff if (ESPNChicago.com) is going to be there. The writing still is important to me.

 

 

 

 

 

 

 

Big deal: Bob Knight to call Indiana game Monday for ESPN

Yes, it is true. Bob Knight will join Dan Shulman and Andy Katz for the Indiana-Georgia game Monday at the Barclays Center in Brooklyn.

ESPN, which sends out a press release about everything, definitely low-keyed this one. Knight’s name showed up on the announcer schedule for its upcoming games. Whoa, there’s “The General” under Indiana.

Obviously, this is highly significant. This is the first Indiana game Knight has done since leaving Bloomington.

Does this signal that Knight is ready to reconcile with the school after all these years? Will his next Hoosier game be in Assembly Hall? Imagine that scene.

It will be interesting to see how Shulman handles Knight through the telecast. How much will they get into his feelings for Indiana?

You know they definitely will follow his every word in Indiana. How big of a deal is this?

I think Terry Hutchens of the Indianapolis Star put it best in this tweet:

Bob Knight on the IU-Georgia telecast Monday night in NYC? And pigs have been spotted flying in downtown Indy, too.

 

 

Wilbon on sports writing today: Not as much good stuff as there used to be

Second of three parts

Michael Wilbon repeatedly stressed he isn’t looking to pass judgment or that he longs for another era.

“I don’t want to sound like some grumpy old man telling you to get off my lawn,” he said.

Yet Wilbon’s role as editor of The Best American Sports Writing 2012 confirmed what he already knew.

“There’s not as much good stuff being written as there used to be,” said the former Washington Post columnist.

Make no mistake, he said, he found plenty of good stuff in the book. Make that, tremendous stuff. As I wrote Sunday, there are several stories in the book that will stand the test of time in any era. It is a great reminder of what sports writing still can produce.

Wilbon, though, laments that the volume simply isn’t the same. He says the impact of social media and the post-it-first mentality of sports websites have altered the craft. It’s all about information, and less about style and quality, he said.

“Tony Kornheiser likes to say, ‘This is the golden age for sportswriters,'” Wilbon said. “‘He said, ‘Don’t confuse that with the golden age for sports writing.'”

Here’s my Q/A with Wilbon on sports writing, 2012:

Why did you want to edit the book?

I don’t get to write as much anymore, so I wanted to be connected to it in that way. I wanted to look where we are now and assess where it’s going.

It was interesting. People don’t write takeouts and profiles anymore. There’s a few, but that used to be a staple of sports journalism. It’s not a driving force now. It’s all news and information driven now. It’s all this metrics and stuff I don’t give a shit about. I’m not saying it was better 30 years ago. It’s just different.

But you have profile pieces in the book.

Yes, but I went out of my way because I thought they were really good. I wanted a good mix of stories. There’s some columns, some shorter stories, issue and enterprise pieces. There’s a writing and awareness of where we are as a culture.

Oh my God, the hockey piece (John Branch, “Punched out: The life and death of a hockey enforcer,” New York Times) stands out among the best sports writing I’ve ever seen. I had bets with myself. ‘What’s going to be better than this?’ Nothing. It’s a stunning, stunning piece of work. There were a couple along those lines.

How did a story pass the test and get into the book?

Good question. Did I find it compelling? Did I not put it down? If the phone rang, will I answer it or not? What I like is so varied. What’s going to hold my interest is not uniform. I want to feel compelled. I want to feel something.

What was your overall impression from editing the book?

There’s not as much good stuff as there used to be. Don’t get me wrong. I turned down some good pieces. But I know what it used to be. There’s not enough stuff that compels me. The volume (of quality writing) is not close.

We’re all chasing the same story. Most of it I don’t care about. Where’s LeBron going? Even the great writers aren’t as great as they used to be. They’re smarter. They may be good reporters. They may get information we care about, but they’re not as good at writing. I’m not as great as I used to be. You’re too busy trying to get it posted before Yahoo! does. It’s all a rush to get it posted, to be first.

That’s why Grantland is important. There’s a void. People don’t do (the longer stories). They don’t read anymore.

I don’t want to sound like the old man with the rolled up newspaper saying, ‘Get off the lawn.’ But it’s the truth. If people want to get mad at me for saying that, they can.

Weren’t they saying the same thing in the 80s when you were coming up at the Post? Didn’t the veterans talk about how good things were back in the glory days of Red Smith and Grantland Rice?

Listen, there’s still good sports writing. Great sports writing. But is there as much of it as there was 30 years ago? No, not in my opinion. Who’s the Frank Deford out there now? Leigh Montville? Dave Kindred? Our Ralph Wiley? Is there anybody out there writing a column like Tony Kornheiser did 20 years ago? Is the Republic going to fall if nobody can turn a phrase like Barry Lorge did? No, but I like that.

It’s just different. The biggest development: Beat writers don’t watch the game. They’re tweeting. When I was at the Post, I told the beat writers, ‘Would you put that down and watch the game.’ They’re sending the editors the inactives just before kickoff. For what? It’s going to be on TV in two minutes. It’s hard to do all that and then produce great writing.

I’m on the board of (Northwestern’s Medill School of Journalism). We changed the whole curriculum because it’s not the same. They don’t write as well. Why is that? They’re taking classes in multi-media. They have to learn how to operate a camera. It’s stuff I didn’t have to do.

You say all that, and yet the book you did could have been as representative of 1989 as 2012.

That’s the best compliment I could get. I wasn’t doing it consciously, but I think I was putting together a book of stories that I care about. It reflects my point of view. It might look like something in 1988, because it’s going to reflect what I believe in.

They asked me to edit this. I chose stories I liked. It’s not edited in the style of a 28-year-old. The book reflects my feelings about what the good journalism is, not somebody else.

Thursday: Wilbon doesn’t have to write anymore, but he does. Why?

 

 

 

 

 

 

 

 

 

 

Forbes: ESPN is worth $40 billion; Reason why network corners market on sports rights

When I went to ESPN’s headquarters in March, I asked them to take me to the place where they print money. They said it didn’t exist, although I did get to see the nice cafeteria, yet another profit center.

I didn’t believe them and my suspicions were confirmed after reading Kurt Badenhausen’s piece at Forbes.com. He writes that ESPN is worth $40 billion.

Yes, $40 billion. There isn’t another media property as valuable in the world.

Badenhausen writes:

Ad revenues at ESPN, now $3.3 billion, can fluctuate depending on the economy (total ESPN revenues, including the networks, magazine and website, are $10.3 billion). Affiliate fees, paid by cable companies to channel owners each month, have steadily grown 8% annually at ESPN in recent years. ESPN and ESPN2 are both in more than 100 million homes and command $5.13 and $0.68 per month, according to SNL Kagan. The next highest among widely available channels are TNT at $1.18 and Disney Channel at $0.99 says Kagan. The average fee for basic cable channels is $0.26.

ESPN’s money machine goes a long way in explaining why the network has locked up long-term rights deals with the NFL, MLB and virtually every major college conference. It is why ESPN will snag the new college football playoff for roughly $500 million per year, beginning in 2014. It even had some money left over to lure Darren Rovell away from CNBC.

Show me the money machine, ESPN. I know it’s there in Bristol.

 

 

 

 

Wilbon Q/A: NBA Countdown isn’t trying to compete with Barkley, TNT; speaks on changes, Simmons, Magic

First of three parts:

It isn’t easy to pin down Michael Wilbon these days. It’s not that he doesn’t want to talk. The notion of silence doesn’t exist for him.

Rather, Wilbon is a constant man in motion this time of year. His regular gigs on NBA Countdown and Pardon the Interruption should be enough to fill his plate. Wilbon, though, still loves to write, which is why he was in Chicago to write a column off Sunday’s Bears-Houston game for ESPNChicago.com.

“It’s crazy, man,” he said.

After many texts, I finally connected with Wilbon Monday. And sure enough, he had plenty to say. Enough for a three-parter.

We discussed the state of sports writing in the wake of him editing and selecting the stories for Best American Sports Writing 2012; and why he feels the need to continue to cover games and write.

The first part of my interview with Wilbon will focus on the changes for NBA Countdown. Out are Chris Broussard and Jon Barry. In are Bill Simmons and Jalen Rose. Wilbon and Magic Johnson remain the constants in a studio show that exists in the same stratosphere as the Charles Barkley fest on the NBA on TNT.

How did you feel about the changes?

For the first time in my life, I understand what happens in the lockerroom when a guy gets traded. Jon wasn’t just a co-worker. He was one of my closest friends. It was every day for five years. It put me in a funk. There was an emotional component I hadn’t been forced to look at before.

Yet having said that, I love the guys coming in, Jalen and Bill. Bill knows so much about basketball. Jalen is terrific. We’ll have four guys with different points of view. We should be able to do some smart talk about basketball.

What about the inevitable comparisons to Barkley and TNT?

We’re not TNT. There’s only one Charles Barkley. I’ve said that Charles is the most important voice in the post-John Madden era. People compare. That’s fine, that’s natural. I love Charles and (Kenny Smith). I guess they’re still trying to figure out how to get Shaq involved. I love watching them. But we don’t compete with them. We shouldn’t try to do the same thing. We should do a different show than the one they’re doing.

Simmons is the wildcard. He didn’t play, and never covered the game the way you did. How will his addition make the show different?

He will be easy to tweak. Some of my job will be to start some fights and be an instigator with Bill. Bill’s personality allows for that, and it will make for better discussion.

One of the producers said, ‘Bring some PTI to this show.’ It wasn’t the case before for this show. Maybe it will be for this one.

What is it like to work with Magic?

I always say, ‘I get to watch basketball with Magic Johnson.’ I know so much more about basketball than I did five years ago. When you’re watching Magic watch Steve Nash, that’s like basketball nirvana. He said LeBron James needed a post game. What does LeBron do? He gets a post game. If you can’t listen to Magic and not learn something, then turn it off.

As a player, Magic was flamboyant, but as an analyst he goes back to his Midwestern roots. It’s just that he’s straightforward. People compare him to Charles. They say he doesn’t do this or that. Hey, they’re different people. Magic just has to be Magic.

What’s your assessment of the new show thus far?

We’ll be fine, but it’s going to take repetition. It’s like the coaches say about getting the reps. The other day, my wife asked how the show went. I said, ‘We were better at 11 than we were at 7.’ I’d expect we’ll be better on Christmas Day than we are today.

Wednesday: Wilbon says the new media age has resulted in a lower quality in sports writing.

 

 

 

 

 

 

 

 

 

Sandusky reporter on move: Sara Ganim to CNN

It was only a matter of time. Sara Ganim, the Harrisburg Patriot-News reporter who won a Pulitzer Prize for her work covering the Jerry Sandusky story, has been snapped up by CNN.

From the Patriot-News:

“I’m excited that I’m going to get to work on some other stuff,” she said. “I’m still going to work on the Sandusky story but I’m also ready to do other things. It’s not the only story in the world and I don’t want to get to the point where this is the only thing I can do.”

Ganim, who grew up in Ft. Lauderdale, Fla., will be based in CNN’s Atlanta headquarters.

“They cover so much, not just geographically but a range of topics,” she said. “I’m excited to have the chance to cover national breaking news and enterprise.”

She quipped that she left Harrisburg just in time to escape the cold weather.

“It would have been my eighth winter and I’m so happy to move to a warmer climate. But if I could scoop this paper up and put it into a warmer place, I would work here forever,” she said. “I love what we do here and our news philosophy.”

A Pulitzer Prize winner at 24, Ganim should serve as an inspiration to young reporters. Age shouldn’t prevent anyone from doing big things in this business.

 

Kremer, NFL Network to do four-part series on player health issues

When the NFL Network signed on Andrea Kremer to become its player health reporter, I thought it was one of the most significant and unique network hires in recent years. The league essentially was bringing in a reporter to cover what could be potentially the most damaging issue to the future of football.

I did a Q/A with Kremer at the time, and asked her to fill me in on future stories. Turns out Kremer has a busy week ahead. Beginning Tuesday, NFL Network kicks off a four-part series, “The Health of the Game”, on Total Access (Tuesday, Wednesday, Friday, 7-8 p.m. ET), and prior to Thursday’s night game. Kremer handles parts 1, 3, 4, while Steve Cyphers does part 2.

The timing couldn’t be better with three starting quarterbacks, Jay Cutler, Michael Vick and Alex Smith, getting knocked out of games Sunday with concussions.

Here’s the rundown:

Tuesday, Nov. 13: Overview of the Player Health & Safety series

The biggest issue facing the NFL is related to Players’ Health and Safety. In this piece, we put some of the biggest questions surrounding this issue in some perspective.  Reported by Andrea Kremer.

Wednesday, Nov. 14: New Technology – Virginia Tech helmet technology – The “Hit System”

At Virginia Tech and other colleges, football players have chips in their helmets that allow experts on the sidelines to immediately measure the impact of hits to players’ heads during play. Evidence shows fewer head injuries at schools using this system.  Steve Cyphers reports.

Thursday, Nov. 15: Darrelle Revis intro- will air on Thursday Night Football Kickoff show

A month ago, Revis suffered a serious knee injury during play and underwent ACL surgery.  Our exclusive access with Revis shows the physical, mental and emotional strains that a player deals with while rehabbing from this surgery. This is the first in a series of segments on Revis, his knee injury, and the rehab process.  Kremer reports.

Note: Thursday Night Football Kickoff show airs  6 pm ET. Segment will also air during postgame show

Friday, Nov. 16: Youth Football

During a recent Pop Warner game near Boston, five players between the ages of 10 and 12 suffered concussions.  Some experts say younger children should not play football because they are more vulnerable to head injuries.  We talk to these players, parents, coaches and experts.  Kremer reports.

 

 

Jimmy Johnson rips Cowboys on Fox; ESPN analysts agree

This is a rarity. It isn’t often that the analyst for one NFL pregame show becomes fodder for analysts on another pregame show.

On Fox NFL Sunday, Johnson fingered his old boss for the problems with the Cowboys.

This is bigger than coaching. Underachievers – that’s what we’ve called them for years. The Cowboys have one playoff win in 16 years regardless of who was coaching. The players answer to Jerry Jones, not the head coach. The players are put up on a pedestal before they ever win a game. As a head coach, it’s a chore to keep these players focused, keep their feet on the ground and keep them hunger because there’s no fear.”

Johnson made a similar comment in a Fox Sports release earlier in the week, saying the Cowboys were “a country club.” It made for good talk for Mike Ditka, Cris Carter and Keyshawn Johnson ESPN’s Sunday NFL Countdown.

Ditka: You get what you tolerate. I mean, right now they’ve created an atmosphere in Dallas which reminds everybody of a country club. You know, it’s a whole different thing right now. Football… it’s a down-to-earth-sport. I mean, you gotta practice a certain way to play the game the right way. You don’t see any of this anymore. I mean, to me, what Jimmy’s saying is right. Come on. Get tough, guys.

Carter:Success in the NFL is based on winning playoff games. Okay guys, they have won one playoff game, right, in the last 15 years, so they have not been successful. Check this out: the only teams that have not won a playoff game, alright, the Chiefs, the Bengals, Lions, Bills and Browns. Alright. They’ve won zero playoff games over that period of time. So the only teams that they’ve been more successful than are those teams right there. So, for me, they are a soft football team, and they need to get a lot tougher.

Johnson: When you talk about fear, I played in Dallas and I played under Bill Parcells, and I witnessed a heated exchanged between the owner and the head coach before. And Jerry Jones walked away from that exchange with his head down. Wasn’t pleasant at all. In front of the team. And that’s because everybody knew that Bill was in change, so the players act accordingly. And that’s not the case with Jason Garrett.

 

 

 

 

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