New book: How much did dealing with ‘media nonsense’ impact La Russa decision to retire?

I covered Tony La Russa during what had to be the low point in his career. In 1986, I took over as the White Sox beat writer for the Chicago Tribune.

That was the year Ken Harrelson assumed the role of general manager. Let’s just say it was a bad marriage. It resulted with La Russa being fired in June of that year.

Given what La Russa went on to accomplish in Oakland and St. Louis, there’s little question why Sox owner Jerry Reinsdorf called it the one decision he regrets the most.

I had a good relationship with La Russa during that season with the Sox and several years thereafter when he was in Oakland. I always found him to be fair, interesting and accomodating. I do recall I have never seen a coach or manager suffer more after a defeat.

Yet through the years, I have heard some writers complain about dealing with La Russa. It appears the feeling was mutual.

In his new book, Tony La Russa: One Last Strike, has a couple of interesting passages about his relationship with the media. Co-written with Rick Hummel, the Hall of Fame baseball writer with the St. Louis Post-Dispatch, he says the media element of his job wore him down. It was a factor in his decision to retire after winning the title in 2011.

Here’s La Russa:

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The media evolved over the years to the point where second-guessing and a lot else besides recapping the games took over. I want to make it clear that I understand that media people have to make a living and that, like me and our players, they have to survive in a highly competitive environment. Still, just because I understand all that doesn’t mean that I enjoyed it. It was more like I tolerated it as part of the dues you pay to stay in the game.

One consequence of media proliferation was it seemed as if some members of the media were trying so hard to make a name for themselves that they began to compete with the very players they were interviewing for the attention of the public. Toward the end of my career, these competitive individuals were becoming more the rule than the exception, and as in most competitions, hostilities were a natural result. Being stuck in the middle between the players and the media when this occurred was a taxing and irritating part of my job.

Having to manage the media, though not my full-time job, took up a considerable amount of time and energy and also took some of the enjoyment out of managing.

********

(Later he wrote)

Now, I don’t want to paint with too broad a brush here, because looking back at the span of my career, I have known plenty of appreciative and respectful players, as well as media members who were responsible and loved the game. Call it the squeaky wheel syndrome, the bad apple or whatever; but human nature being what it is, you tend to remember the really good and the really bad, and the big middle becomes kind of blank….

When I added in all the rest–the media nonsense especially–I thought that if I wasn’t getting the same enjoyment even under the best of circumstances with this team, then it really was time to get out at the end of the year.

*****

“Media nonsense”? Yeah, don’t think La Russa misses dealing with the media.

 

 

 

No games, no worries: Strong sports TV night includes 30 for 30, Costas, Real Sports

Considering there aren’t any games, it is a strong night for sports on TV.

As I wrote earlier, I highly recommend the latest 30 for 30, Benji (ESPN, 8 p.m. ET). Be sure to watch with your kids. There is much to be learned from this film.

*******

The latest Real Sports with Bryant Gumbel (HBO, 10 p.m. ET) features Frank Deford looking back at the life of Steve Sabol. Gumbel also interviews Michael Strahan.

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Costas Tonight (NBC Sports Network, 10 p.m. ET) returns with an interview with former Boston manager Bobby Valentine. While I long since have overdosed on Red Sox coverage, it still figures to be interesting to see Bob Costas chat with Bobby V.

Also on the show, Michelle Beadle will make her debut on Costas Tonight, joining Costas to discuss top trending social media topics; and former NHL star and current NBC Sports Group analyst Jeremy Roenick will discuss the NHL lockout, and his experience going through a similar thing in 2005 when he lost an estimated $8 million in salary.

Updated: Sally Jenkins responds about views towards Lance Armstrong

Updated: Sally Jenkins responded to JimRomenesko.com. Says she is busy working on a Pat Summit book. She hasn’t written about Lance Armstrong since late August.

She wrote in an email:

I can tell you that while my thoughts are complicated Lance remains a friend of mine, and my personal opinion of him was never based on what he did or didn’t do while riding a bike up an Alp. I like the guy.

If my editors ask me to write when I come back from the book project, I will discuss it with them. Until then my thoughts remain my own. As for my reputation, if I can wind up with a rep for being a good friend and an independent thinker, I’d like that.

*******

Questions were raised about Jenkins because of the two books she did with Lance Armstrong. I was forwarded this post from JimRomenesko.com.

Romenesko cites two columns questioning Jenkins’ relationship with Armstrong.

Glenn Nelson, a former beat NBA beat writer, writes in Seattle Weekly:

Jenkins is a sports columnist for the Washington Post who has written for Sports Illustrated, been nominated for a Pulitzer Prize, and occupied the No. 1 spot on the New York Times best seller list. She also closely hitched her star to Armstrong’s by penning with him two books, “Every Second Counts” and “Not About the Bike.” I wonder if she consequently will–and should–be sucked into the draft of Armstrong’s nosedive. Because of Jenkins, we knew more about Armstrong than most athletes of his stature. Readers gained this perspective because Jenkins made a deal as old as her craft: access in exchange for a blind eye, either permanent or occasional.

This isn’t to claim that Jenkins knew the truth about Armstrong’s alleged doping activities. But, at the very least, she was in a position to view flags which were red as the blood Armstrong was supposed to be altering. Was Jenkins therefore obligated to employ more skepticism while sketching such overwhelmingly flattering pictures of Armstrong?

He concludes:

Until the recent rise of Web-fueled haterism, the writer-athlete partnership has pretty closely reflected the mores of society. People long have preferred their heroes not be felled. If the public wants access to those who inspire or titillate, the price of an acceptably blind eye may be one that cannot be refused.

By extension, Sally Jenkins has accomplished too much to be dragged down by Lance Armstrong, who did so much bad to offset so much good. She was just a partner in telling his story, not an accomplice to his misdeeds.

Previously, before the latest news about Armstrong hit, Harry Jaffe wrote in the Washingtonian.

Sally Jenkins is one of the Post’s most brave and incisive columnists. In the case of Lance Armstrong, she has tied herself to his fortunes, to his veracity, to his worthiness as a champion. If he takes a fall, will she write about it? Will she take one, too?

Jenkins has yet to respond to questions about whether she would write about Armstrong’s latest travails. Her readers deserve her take.

Jenkins has not written about Armstrong since an Aug. 24 column, when she slammed the policies of the U.S. Anti-Doping Agency. She wrote:

How does an agency that is supposed to regulate drug testing strip a guy of seven titles without a single positive drug test? Whether Armstrong is innocent or guilty, that question should give all of us pause.

 

 

 

 

Q/A with ‘Benji’ directors: New 30 for 30 has dramatic interview with Wilson’s killer; powerful message about youth violence

What did I just see?

While watching a screening of ESPN’s new 30 for 30 Benji (Tuesday, 8 p.m. ET), I nearly fell out of my seat about 2/3s into the film.

The documentary recalls the tragic story of Ben Wilson, the No. 1 ranked high school player in the country who was shot down outside his Chicago high school prior to the start of the 1984 season. A 6-8 guard, Wilson drew comparisons to Magic Johnson.

It was a senseless act of violence that rocked Chicago and became a huge national story (opening from the film, below). More than 10,000 people attended Wilson’s funeral.

I covered the story for the Chicago Tribune. While the film was powerful and extremely moving, much of the content was familiar territory for me.

And then appeared the last person I expected to see.

Suddenly, there was Billy Moore, the high school boy who killed Ben Wilson. The kid who broke so many hearts and caused so much pain.

I had to do a double-take. Was it really him? Why was Moore dressed in civilian clothes? Was Moore speaking from prison?

It turns out Moore served 20 years in prison and now works as a youth counselor. He even was cited in a White House ceremony in 2009 as an example of rehabilitation.

In the film, Moore tells his version of what happened on that tragic day. He claims it was an altercation that got out of hand and that Wilson was more of the protagonist.

Whatever, Moore had a gun and used it to kill an innocent person.

Moore said he regrets what happened and how he wasn’t that kind of person. Clearly, he has turned his life around.

Yet I couldn’t help feel the anger about the life Ben Wilson never got to live. I’m sure many people will feel the same way watching the film tonight.

I had a chance to talk with Coodie Simmons and Chike Ozah, co-directors of the film. Simmons grew up on those rough Chicago streets and was 13 when Wilson died.

I wanted to know about the film, but first I had to ask him about the interview with Moore.

Here’s my Q/A:

How did you land that interview with Moore?

Simmons: One of Ben’s friends, Mike Walton, knew somebody who knew Billy. Billy called and said OK.

Really, one of Wilson’s best friends helped set you up with the interview?

Simmons: Yes, they understand what happened. They forgave him.

(Note: I am told Wilson’s friends hugged him after a screening in Chicago.)

How did the interview go?

Simmons: We just related. We’re both from the streets of Chicago. There’s a certain way you move around. He felt comfortable because of the things I went through.

Did you feel any anger in talking to Moore? What he did devastated the lives of a lot of people.

Simmons: I didn’t feel any anger towards him. He never wanted to shoot anybody. He destroyed his life. He said, ‘That wasn’t me.’

I know people who have been shot. I know people who actually have shot people.

When I was that age, we had guns. You felt like you needed one. You felt safe with it. I thought it was natural. This is what it was like in the inner-city. You’ve got to protect yourself.

I understand that could have been me.

It’s been 28 years since Wilson died. Why does his story still resonate today?

Simmons: It hit me a like a family member. I used to sneak in to watch him play. He was this great basketball player who was going to make it.

This was like Superman getting shot. ‘Wait a minute, This isn’t supposed to happen.’

When it happened, everyone came together. He actually changed lives in 1984. For this film, we thought we could bring that same kind of peace by telling his story.

How good was he? Has his legend been exaggerated in death?

Simmons: Everyone said he was Magic Johnson with a jump shot.

Ozah: The one thing that seemed constant from talking to everyone was how good he was. The kid was something special.

Wilson’s girlfriend and mother of his son and his son weren’t in the film. Why?

Ozah: We had some ups and downs with them. The final decision was they didn’t want to do it.

What do you hope people take from this film?

Ozah: I hope these young kids who are carrying guns look at the consequences of what could happen. Hopefully, they’ll step back and see that it isn’t cool.

Simmons: Usually you hear about the person who got killed. You don’t usually hear from the person (who committed the murder). What did he go through? What did he put his family through?

That’s why it was so important to have him in the story. Billy is the one who is going to reach those kids. He’s going to be the one who has the impact.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jeff Van Gundy weighs in: Says NBA blocked ESPN from hiring brother Stan

You just knew Jeff Van Gundy wouldn’t be able to keep his mouth shut about ESPN’s decision not to hire his brother, Stan. In an interview with Michael Hiestand of USA Today, Jeff calls out the NBA:

Jeff, who hadn’t previously spoken publicly on the issue until an interview with USA TODAY Sports, says his brother “had a basic agreement” to become an ESPN/ABC analyst in the marquee studio shows that wrap around game coverage: “And then something changed. There’s certainly circumstantial evidence that something from the outside — presumably the NBA — changed (ESPN’s) thinking. … I was happy when they came to an agreement and shocked when they pulled their offer.”

Later, Jeff said:

 “As a broadcaster of the NBA, it give you pause,” Jeff says. “How forthcoming can you be? You don’t want your honesty to cost you a chance at employment.This is a shot across the bow.”

Jeff’s big picture: “This is an organization that’s treated me great. But this raises interesting questions about what a (league-network) partnership means. You have to realize, as a fan, you’re not getting the whole truth. … It seems like there are certain people in each sport that (TV) can’t criticize, or you can’t criticize the league itself. That’s what impressed me when (ESPN’s) Mike Tirico and Jon Gruden criticized the NFL over replacement refs. That (Commissioner) Roger Goodell didn’t throw a hissy fit at ESPN was impressive.”

The bottom line: The NBA, and other sports leagues, do have a say over who gets hired. Stan Van Gundy has been a vocal critic of NBA Commissioner David Stern. Did he go too far on occasion? Once, he compared Stern to Moammar Gadhafi in terms of free speech in the league.

Perhaps that comment came back to bite to Stan Van Gundy.

As for Jeff? He probably has a point. However, I don’t think the NBA will have a problem if it thinks the criticism is fair. The problems occur when analysts go over the line.

Just to be safe, Jeff, don’t compare Stern to anyone.

 

 

 

 

Q/A with Mike Tirico: On busy schedule; critics of Gruden; overrated impact of announcers

I tell Mike Tirico he needs to work harder.

“Joe Buck is working two games in one day,” I said. “What’s wrong with you? You’re slacking off.”

Tirico laughed. “I sent Joe a text. I told him it must have been awesome to have been a part of that,” Tirico said.

Seriously, Tirico doesn’t have to take a back seat to anyone with his schedule. Actually, October is a slow month for him. He only has Monday Night Football as far as play-by-play is concerned.

Starting in November, he will pick up weekly NBA games. His calendar includes Big Ten college basketball games in the winter and three of the four golf majors in the spring and summer. He also does weekly radio shows and podcasts for ESPN.

For all I know, Tirico calls sandlot games in his spare time.

Tirico and Jon Gruden are in Chicago tonight for the Bears-Detroit Lions game. Here’s my Q/A.

You don’t have one month during the year when you’re not working a significant event for ESPN. Why do you take on such a busy schedule?

My schedule can be a challenge. I have an extremely understanding family and wonderful people who facilitate things for me.

I grew up in New York when Marv Albert was doing Rangers and Knicks game, doing sports on Ch. 4 at 6 and 11, and he was NBC’s guy for boxing on the weekends. I went to Syracuse because of Marv Albert, Bob Costas, Dick Stockton. I wanted to be like those guys, and that meant you just couldn’t say, ‘Oh, this is too much.’

Listen, we’re not digging ditches. We’re talking about sports. Even though you’re drained at the end of the day, it’s not that hard. It’s a pretty good job.

This is the first time you’re working with a two-man booth for Monday Night Football. What has that been like for you?

The most significant part of my job is to get the most out of an analyst–make them relevant. It’s much easier to do it with one person compared to two. I love Jaws (Ron Jaworski). We text all the time.

But the difference with two people is that it is more of a conversation. I can carry on a dialogue easier than trying to deal with a third person. I can ask a second or third question.

What is it like to work with Jon Gruden?Jon is the best prepared of any analyst I’ve ever worked with. I truly understand why he’s been so successful. When we meet with coaches (prior to a telecast), they have so much respect for his knowledge and ability. He’s on the cutting edge of what’s going on.

When you see his preparation, it helps you to understand why good coaches and bad coaches make such a difference in the NFL. When you watch our games and listen to the things Jon says before they happen, it’s incredible.

I bristle at all the people who say Jon is too positive and never gets negative. If they don’t think Jon doesn’t point out mistakes, then they aren’t listening to the game.

Does Jon go to a different level of appreciation about the ability of guys? Absolutely, because he’s coached players. He knows what it takes to be Peyton Manning and what he does out there. Not to get on my soap box, but we’ve turned into a miserable society if we can’t enjoy being around the best in the world.

If you watch a game, Jon will say why a guy is doing that and why a guy is not doing that. When people say Jon’s not critical, I call those people lazy. They need to listen closely to the game.

I’ll get ripped for saying that, but that’s good.

You’re in your seventh year calling Monday Night Football. How have you evolved as an announcer?

I’m sure your 100th column was better than your first. I go back and watch every game. I’m always looking to get better.

However, I always say nobody watches for the announcers. They watch for a good game. If they really watch for the announcers, then on Sunday, the networks should put their best announcers on their worst game.

If Fox put their No. 7 crew on the Giants-49ers game, it wouldn’t change the rating for that game. All we can do is hopefully enhance the experience.

Let’s go back to the end of the Seattle-Green Bay game. How did that play unfold for you?

You start with the fact Seattle had a chance to beat Green Bay. Then the play happened. First, you’re amazed that the ball didn’t hit the ground. Now all my attention goes to the officials and I see nothing.

Then they make two different calls. Wait, what you got here?

Looking back, I’m glad about two things. When I made the call, I used the word ‘simaltaneous.’ Ultimately, that’s the rule they were looking at. I’m glad I used the correct word.

Second, I’m glad after the fire bomb hit, there was the reality that this was the most significant faux pas of the replacement officials. We said it was going to put pressure on the league to make a change. And it did.

Do you really call sandlot games in your spare time?

No, c’mon. Going to the Tigers game tonight (Tirico, who lives in the Detroit area, was going to game 4 of the ALCS). I’m glad it’s one of the one sports I don’t cover. I’ve never taken a credential to a baseball game. I have a partial season ticket, and it’s the one sport where I can truly be a fan. It’s so much fun to be there with the family.

I love waiting in line for the concessions, sitting in the stands. It makes you appreciate the people who fill the stadiums. It helps you be connected to the consumer.

 

 

 

 

 

 

 

Malcolm Moran to head Indiana’s Sports Journalism program

Old friend and colleague Malcolm Moran is returning to Big Ten country. And just in time with Hoosiers hoops becoming relevant again.

From the National Sports Journalism Center at Indiana:

New National Sports Journalism Center director Malcolm Moran brings 30 years of sports journalism experience to his new post, which he assumes in January, the Indiana University School of Journalism announced today.

As director, Moran will oversee programming for the Indianapolis-based center, which serves as a comprehensive institute for the study of sports journalism. The School of Journalism launched the center in 2009.

“It will be an honor to direct the National Sports Journalism Center and build upon all the good work that has been done since its launch,” said Moran. “All journalists are products of their experiences, and the core of our mission will be to connect students to the most rewarding challenges we can find.”

As a sportswriter, Moran worked for USA Today, Newsday, The New York Times and Chicago Tribune. In 2006, he was named the inaugural Knight Chair in Sports Journalism and Society in the College of Communications at Pennsylvania State University. Moran also serves as director of the John Curley Center for Sports Journalism within the College.

Moran was honored with the Curt Gowdy Print Media Award in 2007 from the Naismith Memorial Basketball Hall of Fame for outstanding lifetime coverage of basketball.

In his sportswriting career, Moran covered 26 bowl games, 26 men’s NCAA Final Fours, 16 World Series, 11 Super Bowls and two Olympic Games.

“Malcolm brings an impressive array of experiences to the position,” said School of Journalism Interim Dean Michael Evans. “His background as a highly respected journalist and as a successful leader in an academic setting, coupled with his outstanding skills and talents, make him an excellent choice to lead the National Sports Journalism Center to new levels of national prominence.”

Moran also will hold the Louis A. Weil Jr. Endowed Chair at the School of Journalism and will be involved in the curriculum, which includes the nation’s first master’s degree in sports journalism.

Moran has taught a variety of sports journalism courses at Penn State. He also used his professional experiences to provide students with opportunities to cover premiere national and international sporting events.

“In the past year, the opportunity to direct Penn State students and recent graduates at the BCS Championship Game, NCAA men’s Final Four basketball tournament and London Olympic Games has produced some of the most memorable moments of my career,” said Moran. “The relationships already in place at the NSJC, and others that we will develop, will help create more of those experiences.”

 

 

 

New 30 for 30 on Ben Wilson recalls memories of surreal night in Rockford

The upcoming 30 for 30 documentary on Ben Wilson brings me back to a horrible night in 1984.

The powerful film (ESPN, Tuesday, 8 p.m.) tells the tragic story of a Chicago phenom, who was ranked as the top high school recruit in the country. A 6-8 guard, Wilson was drawing comparisons to Magic Johnson as he was about to begin his senior season at Simeon High School.

Then it all ended when Wilson was shot down in a senseless act of violence. His death rocked Chicago and became a national story.

Here’s a link to the trailer.

I wasn’t much older than Wilson, having just turned 25. I was looking forward to covering Wilson during my first year on the boy’s basketball beat for the Chicago Tribune. I never got to see him play.

Wilson died on Friday morning. Simeon made the decision it still would play that night against Evanston in a game at Rockford. I was assigned to cover that game. Of course, there would be no game detail in my story.

My friend and former colleague, K.C. Johnson, now the Bulls beat writer for the Tribune, also was there that night as a player for Evanston. He appears in the film.

I just remember the whole evening being surreal. There was the scene of the players coming out to the court just hours after their good friend was slain. Nobody knew how to react. Then during the moment of silence for Wilson, there was the unforgettable image of Simeon coach Bob Hambric, who rarely showed emotion, wiping a tear away from his eye. That picture ran across the entire country.

Everything else was a blur. I didn’t have time to write a conventional story. I quickly pieced the story from one deadline to the next.

Coming off Simeon’s victory for their friend, my story began: “The healing process has begun for the Simeon basketball team.”

It probably was a bit too optimistic. Simeon had many painful days ahead.

I didn’t know it back then, but the Tribune editors submitted my story from that night into the Associated Press Sports Editors contest. I won second for best news story.

The award helped my career. The following year, I was assigned to be one of the beat writers for the 1985 Bears.

My family and friends were excited about the award. They framed the story along with the blurb about my second-place finish in the APSE contest.

I had it on my wall for a while, but then took it down. The story was about a young boy dying. I just saw sadness every time I looked at it.

Looking back, I wasn’t out to win an award during that night in Rockford. I did what I had do. Like everyone else, I wish I was just there to cover a normal basketball game.

I would have given anything to have seen Wilson flying across the floor, making us wonder if he was another Magic Johnson.

Tuesday: I speak to the directors of the film and discuss the stunning interview that occurs at the end.